FL Studio 12 Alpha 0.7f

Size 507 Mb

What is new:

– Built from latest FL12 sources

– Fruity Logo in about window is now scaled properly, alpha animated, and closed correctly.

– The hintbar (bottom left corner) is now shown.

– Aboutdialog stays on top (previously it could sometimes be placed behind main window).

– Plugin picker (F8) now appear (but not yet fully functional, you can double-click on plugins but not drag them)

– fix for mouse cursor disappears problem.

– fixed clicking outside “Do you want to save” dialog hides it

– fix for reversed mousewheel.

– fix crash when closing piano roll window.

– VST3 support (currently limited support, normal VST behave better and should be used when available)

– Popupmenus that overlap now behaves better.

This is a Native OS X version of FL Studio 12. It is not a Windows application in disguise.

Requirements:

1. OSX 10.7 or later

2. You must be admin user to install and run

Mega

iZotope Ozone 7 Advanced v7.0
Size Win 477 Mb // Mac 397 Mb

Glue a mix together, control dynamic range, and add rich character with the critically acclaimed music production tools in Ozone Advanced, including the new Vintage EQ, Vintage Compressor, and Vintage Tape modules. Audition masters before rendering with the new Codec Preview. Apply Ozone Advanced’s processing to mix busses, too, with individual plug-ins of all ten modules.

Plus, both versions of Ozone include the Maximizer, the Dynamic EQ, the new Vintage Limiter, Export Formats, and more. Use Ozone as a plug-in or as a standalone application.

Key Features

Get essential mastering and mixing tools: Maximizer, Dynamic EQ (now in both Standard and Advanced), the new Vintage Limiter, Vintage Tape [Advanced Only], Vintage Compressor [Advanced Only], and Vintage EQ [Advanced Only].

Build a high-tech new mastering chain when you mix-and-match components, going from fully modern to fully vintage to anywhere in between.

Quickly achieve authentic sounds for any genre and style with a comprehensive bank of presets.

Master within your audio editing software with Ozone as a plug-in or in its own environment with the standalone option.

Powerful processing for mastering and mixing

Dynamic masters with transparent processing.

The highly regarded Ozone Maximizer helps you achieve professional loudness and fullness with transparent limiting. Updated for Ozone 7, the Maximizer features a brand new frequency-specific IRC IV algorithm to deliver transparent mixes with even less pumping and distortion. Smooth out an unwieldy mix or tame the kick drum peaks without affecting the vocals.

The Dynamic EQ, now in both the standard and Advanced versions of Ozone, lives and breathes with your audio for finer control over your sound. Take advantage of the precision of an equalizer and the musical ballistics of a compressor in one integrated processor. Learn more about using Dynamic EQ in mastering.

New sounds, nostalgic results

A new set of vintage-inspired processing modules in Ozone puts nostalgic tone at your fingertips, bringing the creative color and character of analog hardware to digital recordings.

Glue a mix together and control dynamic range with the Vintage Limiter. Add the distinctive sonic characteristics of analog tape with Vintage Tape. Get subtle warming and sweetening effects with the single-band, program-dependent Vintage Compressor. Extend the range of colors available for your masters with the wider, more artful equalization palette of Vintage EQ.

Ozone isn’t just for mastering anymore

Ozone was designed for mastering but there are lots of possibilities for how Ozone can help out in music production. With Ozone Advanced, you get all ten Ozone modules — including the new vintage processors — as separate component plug-ins. So go ahead and load those individual components on your mix busses and take advantage of Ozone’s flexible power during mixing.

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Win Part 1   Part 2   Part 3       Mac   Part 1   Part 2

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Sylenth v2.2.1
Size Win // 10 Mb // Mac 28 Mb 

Sylenth1 is a virtual analog VSTi synthesizer that takes the definitions of quality and performance to a higher level. Until now only very few software synthesizers have been able to stand up to the sound quality standards of hardware synths. Sylenth1 is one that does.

Sylenth1 is not just another synth. It was built from a producer’s point of view. It was built to produce superior quality sound and music. It was built to perform. A lot of research has been invested in order to achieve unheard warmth and clarity. The graphical interface ensures the highest level of usability so you can fully unleash your creativity.

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Win    Mac

Xfer Records Serum Installer + Serum v110b1 Latest Update + Serum FX v110b1
Size
Installer Win 144 // Mac 146 Mb
Serum v110b1 Update Win 17 // Mc 16 Mb
Serum FX 110b1 Win 17 Mb // Mac 16 Mb 

WHY SERUM?
The dream synthesizer did not seem to exist: a wavetable synthesizer with a truly high-quality sound, visual and creative workflow-oriented interface to make creating and altering sounds fun instead of tedious, and the ability to “go deep” when desired – to create / import / edit / morph wavetables, and manipulate these on playback in real-time.

IMPORT YOUR OWN AUDIO / CREATE CUSTOM WAVETABLES WITH EASE
Serum has a Wavetable editor built right in- you can create your own wavetables in a variety of ways. Import audio directly from audio files – Serum has a variety of methods and options for analyzing audio for breaking it apart into individual waveforms. You can import single-cycle wavetables of course, as well as many at once (with in-built sorting options, or manual re-ordering). Morph between various wavetables using standard linear interpolation (crossfading) or via harmonic/spectral morphing. Draw directly on the waveform, with optional grid-size snapping and a variety of shape tools. Generate or modify waveforms using FFT (additive). Create or process waveforms using formula functions. Processing menu options allow you to do the other tasks you would want, such as apply fades, crossfades, normalize, export, and much more.

ULTRA-CLEAN OSCILLATORS
Playback of wavetables requires digital resampling to play different frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts – even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).

MODULATION – WORK THE WAY YOU WANT TO
The modulation system allows for drag and drop connections between mod sources and destinations. Want an LFO controlling a filter cutoff? Simply drag the LFO title to the cutoff knob. This LFO->Filter connection will now appear in the Mod Matrix as well. In other words, you have two views/approaches for creating and modifying your modulations: sometimes a list is nice, other times you just want the job done fast and easy.

REALTIME WAVETABLE MANIPULATION
In addition to moving through the set of wavetables (up to 256 make up a single oscillator), you can manipulate the waveform itself in a separate realtime process referred to as Warp. This allows for FM/AM/RM/Oscillator Sync and many other ways to modify the waveform, including “Remap” modes – a graph editor for drawing your own custom table manipulations.

FILTER TYPES
Serum includes all of the filter types found in LFOTool in addition to some brand-new ones. Flangers, Phasers, and Comb filters all of which can key-track to the musical note you play. Dual filter types let you control or morph between filter types. Get creative with atypical processes for filters such as downsampling, or the unique filter types found nowhere before, such as the dirty-sounding French LPF.

BUILT-IN SUITE OF EFFECTS
An effects rack with 10 effects modules lets you get your sound all the way to the finish line inside Serum. Effects can be re-ordered to any configuration you want. Virtually all effect parameters are also available as modulation destinations. This is especially useful on monophonic synth sounds. For example, apply an LFO to control reverb size or dry/wet, or velocity to control distortion amount. Many of these effects and modes were built just for Serum, so there are many unique effects to choose from, such as Hyper, which simulates (additional) unison amounts, or a dual-waveshaper which allows for a distortion you can morph between two separate wave shapes.

ADVANCED UNISON
Serum will let you stack a single oscillator to use up to 16 voices. Each of the wavetable oscillators have a number of unison advanced parameters. Stack settings allow for note (e.g. octave) layering to get a fuller sound for a single note-press. Set the unison voices to all have their unique waveform at once with the Unison WT Pos setting, or have them all skewed in a different way with the unison Warp control. A variety of unison tuning modes per-oscillator let you get the stack sound blooming or swarming like you want.

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Installer  Win  Mac      v1,10b1  Win  Mac      Serum FX   Win   Mac

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 Sun Saathiya (Chillout Trap) - DJ FAM DJ SMILEY K.MAI

Sonic Academy Kick 2
Size Win 40 Mb // Mac 29 Mb

KICK 2 is finally here – The Multi Award Winning KICK gets an extensive upgrade for 2016. Easily sculpt, shape, create, manipulate, mangle your way to the perfect kick drum. No longer do you need to rely on sampled and resampled low quality kick drums in sample packs. With KICK 2 you can easily create a perfectly synthesised kick attuned to your needs.

3 Fully Featured Click Areas

New to KICK 2 are 3 click areas jam packed with features including start time, length control, Low / High Pass Filters and fine pitch adjustment

No longer do you need to manipulate and adjust your clicks before import, simply load them and get started straight away

Drag & Drop Click Loading

Found an audio click that you like? simply drag and drop it straight onto the plugin window to load it directly into your soundbank

External Sample Folder Browsing

Browse your personal sample collection direct from inside the plugin – allowing you to audition all of your favourite samples without having to manually load them in.

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Win    Mac